The Jew got in first. Uttering a few inarticulate ejaculations,—for he was completely out of breath,— the fugitive placed a bundle in the arms of the carpenter, and, regardless of the consternation he excited in the breast of that personage, who was almost stupified with astonishment, he began to divest himself of a heavy horseman's cloak, which he threw over Wood's shoulder, and, drawing his sword, seemed to listen intently for the approach of his pursuers. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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