Shortly Ruth and Spurlock took the way home. The Closing Scene. The winter had turned sea and sky to a wet gray. Flesh and blood, vivid, alluring; she was no longer the symbol, therefore she had become, as in the twinkling of an eye, an utter stranger. It consisted of a full-dress coat of brown flowered velvet, laced with silver; a waistcoat of white satin, likewise richly embroidered; shoes with red heels, and large diamond buckles; pearlcoloured silk stockings with gold clocks; a muslin cravat, or steen-kirk, as it was termed, edged with the fine point lace; ruffles of the same material, and so ample as almost to hide the tips of his fingers; and a silver-hilted sword. "Damnation!" cried Kneebone. She sat down by the paperrack with a general feeling of resemblance to Vivie Warren, and looked through the Morning Post and Standard and Telegraph, and afterward the half-penny sheets. I'd a good many things to say to you, besides—but you've put them all out of my head. . Ruth and Spurlock separated, the one embarrassed, the other utterly dumfounded. It was quite dark; but as some of the assemblage carried links, it was soon ascertained to be headed by the same party who had mainly incited the former disturbance. "I suppose it didn't drop through the ceiling, did it? Are you quite sure it's flesh and blood?" asked he, playfully pinching its arm till it cried out with pain. "I have not many days,—perhaps, not many hours to live. There was a brief pause, a crowded pause, between them.
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