” With a murmured word of excuse she glided away, and Courtlaw, who had come with a mission which seemed to him to be one of life or death, was left to listen to the latest art jargon from Chelsea. ‘Don’t try to turn it off,’ ordered Miss Froxfield. She became more and more alive, not so much to a system of ideas as to a big diffused impulse toward change, to a great discontent with and criticism of life as it is lived, to a clamorous confusion of ideas for reconstruction—reconstruction of the methods of business, of economic development, of the rules of property, of the status of children, of the clothing and feeding and teaching of every one; she developed a quite exaggerated consciousness of a multitude of people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. She saw her aunt in tears, her father white-faced and hard hit.
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