All that was needed to complete the simile was that the girl should burst into song. I mean that the point is that vividness of perception is the essential factor of beauty; but, of course, vividness may be created by a whisper. All the turnkeys were assembled. Not since she had discovered it had Ruth touched or opened the mission Bible; but to-night (the same upon which the wonderful manuscripts started on their long and circuitous voyage to America) she was inexplicably drawn to it. Firmly built, as it was, the bridge creaked in such a manner with their contending efforts, that Abraham durst not venture beyond the door, where he stood, holding the light, a horrified spectator of the scene. “No,” she answered, reluctantly. I followed you in. “You are absurd,” she declared. Ruth was at that stage where the absorption of facts is great, but where the mental digestion is not quite equal to the task. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. After he had eaten dinner with Ruth, he had gone to McClintock's; and he had heard music such as he had heard only in the great concert halls. But I tell you in return, I shall take no pains to hide myself. His eyes were set too close together. America, the land of rosy apples and snowstorms, beckoned, and she wanted to fly thitherward.
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