All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. Wood, in deploring his wild career, adverted to the melancholy condition to which it had reduced his mother. When she saw Ann Veronica she stood for a moment as if entranced, and then advanced with outstretched hands.
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