Jonathan Wild and his bloodhounds, with a hundred others, incited by the reward, will be upon my track. Their talk drifted to the beauty of music, and they took that up again at tea-time. These fellows must be right,” he added thoughtfully, “and yet—there’s a mystery somewhere. I will do my utmost. ‘Poor things. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. There were no doors in the bungalow; instead, there were curtains of strung bead and bamboo, always tinkling mysteriously. Wood could stand it no longer. ‘Come, I told you I wish to know everything about you. Yield, villain!" "Never!" replied Jonathan.
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