"Do you compare your love—a love which all may purchase—with hers? No one has ever loved me. ” “Think not,” that young man remarked laconically. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Then there was also the horse. Only in her eyes there seemed to be some apprehension of the fact that the young man’s clothes and manners were alike undesirable things.
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