The place, in which they stood, was a small entrance-chamber, cut off, like the segment of a circle, from the main apartment, (of which it is needless to say it originally constituted a portion,) by a stout wooden partition. On the right, stood a bulky figure, with a broken rattle hanging out of his great-coat pocket, who held up a lantern to his battered countenance to prove to the spectators that both his orbs of vision were darkened: on the left, a meagre constable had divested himself of his shirt, to bind up with greater convenience a gaping cut in the arm. When he arrived at Hoxton, he found the walls covered with placards offering a reward for his apprehension, and he everywhere appeared to be the general subject of conversation. On examining the door, he found it secured by a large rusty lock, which he endeavoured to pick with the nail he had just acquired; but all his efforts proving ineffectual, he removed the plate that covered it with the bar, and with his fingers contrived to draw back the bolt. “It’s like the Picture and the Bust. Manning and the men in “fixed” positions generally that she knew, Ramage, presented by himself, had a fine suggestion of freedom, of power, of deliberate and sustained adventure.
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